18 November 2011

Something 4 The Weekend # 227

Wire: Red Barked Tree: "Please Take" [mp3]

Fucking Wire, man.

34 years ago, December of 1977, these guys released their first album, Pink Flag, which was pretty much Post-Punk before Punk had even happened, you know? Which leads me to wonder if this thing we call Post-Punk is actually Post-Anything? In other words, Pink Flag was a true sideways maneuver, babycakes, and in the end Post-Punk has as much to do with Punk as it does with Prog or Disco or KISS.

34 years later, and dammit if Wire didn't possibly make my very favorite Wire album with Red Barked Tree, and Wire has made quite a few very good Wire albums over the years that I know and love quite well, with three or four different Wire configurations making eight or nine different kinds of music, almost all of it called Post-Punk by whoever the fuck it is that decides these things. Robert Christgau? Some dude in a cube at Spotify? Anyways...Wire!

The music Wire is making on this album sounds like the dark side of Spoon to me, and I believe that's saying something because I believe we're all in agreement that Spoon is damn outstanding themselves, and I bet if you asked Britt Daniel, he'd tell you that Wire are a pretty important influence on his own band's sound. It's a lean, mostly clean sound, with a thick, propulsive bass, and a reliance on repetition, melodies and song structures that aren't quite as simple (or repetitive) as they might first appear, creating subtle tensions that are always lurking beneath and around the beats. Beats for head nodding, finger tapping, body swaying, or driving at slightly inappropriate speeds. And damn good sex music.

Fucking Wire and Spoon, man.

And sometimes, as with this song, the tension is lyrical, because beyond the bright guitars and pulsing bass is a truly great kiss-off song (well, a fuck-you song, really), crooned in a halting way that reveals the layers of betrayal and anger slowly. It's a song that boils, boy.

Now, I'm not going to sit here and type to you that I was hip to Wire from their start, because I wasn't. I was aware of them because I read music rags even in my youth, but it wasn't until REM covered "Strange" on 1987's Document album that I decided to actually and finally check out Wire. I started with Pink Flag because their "Strange" was tucked away in the middle of side two (yeah, still buying vinyl in 1987), and I must admit, I wasn't immediately smitten. I liked Wire, but didn't love them. I like them enough to keep following them, however (I've got A Bell Is A Cup Until It Is Struck on cassette to prove it), and eventually I got older and wiser. Nowadays, it's as much a matter of respect as anything else. 34 years of interesting music from a band that is always exploring, evolving and refining their sound, and dammit if the stuff they've been doing the last five years isn't as good as what they were doing their first five years. Wire sounding exactly the same and nothing like Wire.

Fucking REM, man.

Hotcha! Hank

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04 February 2009

Maybe Kitten Videos Will Help



Because I don't have the savvy or motivation to network and promote, this HOT POOP blog is inert and vacuum-sealed. It's also lame, [insert negative adjective here], and pointless, so here's some fucking kittens.

Hotcha! Hank

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24 August 2007

Keepon Sideways Maneuvering



I suppose this video was inevitable. A dancing robot named Keepon, dancing as he do to Spoon's "Don't You Evah", this weekend's something...

You know...Streaming below...

Hotcha! Hank

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Sideways Veronica Maneuver



Ask YouTube, and ye shall receive...

This is the aforementioned Britt Daniel appearance on Veronica Mars...Oh sure, this clip is mostly Veronica, Logan and Weevil sassing each other and sussing out a plotline, but Britt's brief performance is cool, and here's something ya gotta be pretty old to know:

When Britt takes the stage, he requests B-17, which is an obvious reference to Olivia Newton-John's 1975 hit single, "Please, Mr. Please" in which Olivia sings, "Please, mister please, don't play B-17, it was our song, it was his song, but it's over..."

Hotcha! Hank

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Something 4 The Weekend # 40


One of my favorite television moments in recent memory is when Britt Daniel, singer and songwriter for Spoon, appeared in a Season Two episode of Veronica Mars.

Veronica is working at Java The Hut...Yes, a coffee shop...One that featured a karaoke night, and in this particular episode, Mr. Daniel has a quick customer-server moment with Veronica, before taking the stage and belting out the song "Veronica", originally written and performed by Elvis Costello and Paul McCartney.

The thing is, Spoon's last 4-5 albums have been consistently good to stellar, and Spoon, before long, might end up with a catalog, and longevity, to rival Costello's, if not McCartney's...And Britt Daniel has quickly established himself as one of the finest pop/rock songwriters working today, and a writer of mostly silly love songs at that...Hyperbole? Meh.


Take this song..."Don't You Evah"...The simplicity hooks me instantly...A bass line I swear I've heard a dozen times before, but maybe not quite...Handclaps...A slow, snaky guitar melody winding around that bass, and ten seconds in my head is bobbing and my shoulders are swaying side to side...

Just a clean, groovy song...Spacious production, uncluttered arrangements...Britt Daniel's voice up front, singing something about silly love, I think...Who knows? It probably doesn't matter.

"Famous sounding words make yr head feel light."

Hotcha! Hank

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