Tuesday's Fortune: 15 May 2012
Hotcha! Hank
Labels: China Wok, Food, The Rolling Stones, Tuesday Fortune
"Information is not knowledge."
Labels: China Wok, Food, The Rolling Stones, Tuesday Fortune
So much white boogie!
Hotcha! Hank
Labels: Drive-By Truckers, music, Sideways Maneuver, The Rolling Stones, video, Wilco, YouTube
Hotcha! Hank
Labels: Boston, music, Sideways Maneuver, The J Geils Band, The Rolling Stones, video, YouTube
I haven't fooled around with the list lately, but I'm pretty sure "Stay With Me" still maintains a spot in my top ten favorite songs of all time. That opening guitar riff alone enshrines this song for the ages in the greater Rock pantheon, and then it choogles along for another five minutes as perfectly as any Rock song ever has or ever will.
I believe this song is so fucking good that it embarrassed and pissed off Keith and Mick so much that they pilfered Ron Wood just 3 years later. If the Rolling Stones couldn't even beat the Faces at their own game, might as well nick their guitarist...
I mostly just kidding about that, but just mostly.
Hotcha! Hank
Labels: At This Point Rod Stewart's Voice Is Comfort Food, Faces, groupies, music, Sideways Maneuver, The Rolling Stones, video, YouTube
Labels: album covers, At This Point Rod Stewart's Voice Is Comfort Food, Faces, I Mostly Like The Seven Songs I Know About Girls Named Cindy, mp3, music, Something 4 The Weekend, The Rolling Stones
Well, I love the Some Girls album because it was the first Rolling Stones record I ever bought, and it was a fun and interesting record to buy because they released different versions of the cover art, with different colors in different orders for those four "rows", and depending on the color on the top row, the albums were of varying value on the collectors market...As for the songs themselves, this album found the band confronting Disco and Punk/New Wave straight on, with the slinky "Miss You" at the front (a song that stands up exceeding well), and the pulsing and slightly ragged "Shattered" at the end (which still sounds great as well)...In between, the band returns from the relative dryspell following 1972's high-water mark, Exile On Main St., with a really solid, entertaining set of songs...This was the second album with Ron Wood on guitar, and this is where he really gels with the band as a whole, helping sculpt the third, more polished version of the band that continues to this day...For me, personally, this album still excites me as much as the bands' more iconic and better-regarded recordings...At #5, for better or worse, it pushes Between The Buttons or possibly Aftermath from this list, the two best representations of the Rolling Stones first incarnation with Brian Jones, when they were still mostly just a very good British R'n'B-infused rock band...
04: Beggars Banquet [1968] Featuring..."Sympathy For The Devil", "No Expectations", "Street Fighting Man", "Stray Cat Blues", "Factory Girl"
To Be honest, Beggars Banquet is far from the most solid collection of songs in the Rolling Stones discography, but it makes this list on the strenght of two songs, really..."Sympathy For The Devil" and "Street Fighting Man", two indispensible Stones songs, to be sure...Beyond them, however, is the scrappy and undeniable "Stray Cat Blues", the lovely and plaintive "Factory Girl", and the slightly odd-yet-endearing "Jigsaw Puzzle"...Points must be given for experimentation...In the wake of the previous year's misguided attempt at Psychedelia, Their Satanic Majesties Request, on Beggars Banquet it would seem the Rolling Stones took a step back and assessed their strengths, and found a better way to incorporate new ideas and sounds into their distinct brand of Blues Rock and R'n'B...So the congas and bongos and mellotrons and pedal steel add texture to the songs without overpowering them...This album marks the beginning of the second, and greatest phase of the band's history, and is the last with Brian Jones...From here on in we've got Mick Taylor putting his indelible stamp on what Bob Dylan calls "the greatest Rock band of all time and forever"...I guess if I consider what "Rock'n'Roll" truly is, at it's roots, I'd have to agree. The Stones are the template.03: Sticky Fingers [1971] Featuring..."Brown Sugar", "Wild Horses", "Can't You Hear Me Knockin'?", "Bitch", "Dead Flowers", "Moonlight Mile"
Sticky Fingers isn't running a distant third, not by a longshot...In fact, there's the thinnest of lines separating the top three Rolling Stones' albums on this blathering list of mine...I mean, there's just a ton of great, even iconic songs, on this album, including my personal favorite of the entire lumpen, the haunting and lovely closer, "Moonlight Mile", which I think is a bit of a lost gem in their catalog...Overall, it's as solid and strong an album as any in their catalog, and perhaps most notable as the first Stones album with Mick Taylor in full effect...
01: Exile On Main St. [1972] Featuring..."Rock This Joint", "Tumbling Dice", "Sweet Virginia", "Sweet Black Angel", "Happy", "All Down The Line", "Stop Breaking Down", "Shine A Light"
In the Rolling Stones' discography, Exile On Main St. is truly Epic...This double, gatefolded LP unfolds regally over 66 minutes, it's 18 songs covering all the usual Rolling Stones bases - Blues, Shuffle, Boogie, Rock, R'n'B, Country - but I think what sets this collection of songs apart from any of their other albums is the laid-back and joyous nature of many of the songs, and the recording itself...Hell, I daresay Exile On Main St. could be called a Gospel album! Of course, it would be a Gospel album fueled on heroin and indescriminate sex in a mansion in the French countryside, but those are God's creations too, if yr inclined to such beliefs..."So come on, come on down, sweet Virginia...C'mon, honeychild, baby you...Come on, come on down, you got it in ya, uh huh...You got to scrape the shit right off yr shoes..." It's just my own observations, but it seems to me that Exile On Main St. isn't nearly the most popular in the Rolling Stones catalog, perhaps because "Tumbling Dice" is the only major hit on the entire album, which is a shame because this is the album on which the band finally perfects their appropriation of all their musical influences, and they do it without really trying and in spite of all sex and drug distractions...In the end, I believe it's the relative "obscurity" of most of these great songs that makes this album still sound the freshest and most exciting today...Try not to sing along...
Hotcha! Hank
Labels: album covers, Blather, Hank Ranks, Hot Five, music, The Rolling Stones